Top 10 album bob dylan năm 2022

He asked me to check out the used record stores and see had they any early Dylan on vinyl. This was his idea for a cheap Christmas present and sometime around that December of 1991, while in college in the US, I bought the self-titled debut album Bob Dylan as a gift for my younger brother.

So it’s his fault, really, because that first influence started something still not easily explained: from there I borrowed, or else stole, whatever other Dylan albums he had at the time, some on cassette such as Highway 61 Revisited, others such as Desire on vinyl, and after lifting too his copy of Robert Shelton’s biography, No Direction Home, there’s been no looking back.

Maybe Blonde on Blonde wasn’t meant to be listened to for the first time in the summer of 1992, or Saved for that matter, especially not in immediate succession. That made no difference to me.

Top 10 album bob dylan năm 2022

Ian O’Riordan: Within a couple of years of first hearing Dylan, I’d obsessively got hold of his entire back catalogue

Within a couple of years, I’d obsessively got hold of Dylan’s entire back catalogue, by then 28 albums. Hearing them for the first time – the creative sustenance of the songs, their phrases and rhymes, the startling authenticity of his voice – simply outplayed anything I’d heard before.

Dylan now has 39 official studio albums to his name, beginning with that self-titled debut, released in March 1962, up to Rough and Rowdy Ways, released in June of 2020. Not forgetting the 15 volumes of his Bootleg Series (another 60 CDs), his 12 live albums (comprising 68 CDs), the countless more non-album tracks and thousands of unofficial bootlegs.

To mark Dylan’s 80th birthday – today – I’ve ranked his 39 studio albums, which in many ways reflect not just his lifetime but also the vast influences around it and, of course, his often double-edged relationship with fans.

It’s a personal selection, based on what sounded – and still sounds – best to me. If I had ranked them yesterday or if I ranked them again tomorrow, the order could change again, couldn’t it?

39. Dylan (1973)

Despite the title, and interesting cover portrait, this was a throwaway album with no input whatsoever from Dylan or a single original song, made up of Colombia leftovers after he briefly jumped shop to Asylum Records. Favourite track: The Ballad of Ira Hayes

38. Christmas in the Heart (2009)

I lent my copy of this CD to Daniel Day-Lewis that Christmas of 2009 and never got it back. I'm not too bothered, although every Christmas I swear I can hear that startling old vocal range from across the other side of the Wicklow Mountains. Favourite track: Hark the Herald Angels Sing

37. Triplicate (2017)

His own personal homage to the great American songbook, and beautifully packed, these three CDs and 30 songs are well covered, and covered well enough after one listening. Favourite track: September of My Years

36. Down in the Groove (1988)

I only ever got this on cassette and it's a proper Dylan late-1980s mess in parts, even if the cheap covers are somewhat redeemed by the songs he co-wrote with the Grateful Dead. Favourite track: Rank Strangers to Me

35. Shadows in the Night (2015)

The first of his Frank Sinatra cover albums, 10 songs neatly delivered and best to listen to while cooking or making the bed, the live performances were astonishing. Favourite track: Autumn Leaves

34. Knocked Out Loaded (1986)

Somehow I have this on vinyl and cassette, which is odd considering there is only one 11-minute song on the entire album that's worth listening to in any depth – that favourite track he co-wrote with Sam Shepard. Favourite track: Brownsville Girl

33. Fallen Angels (2016)

More Sinatra covers anybody? This one gets in ahead of Shadows in the Night, if only because Dylan seems to be in better singing voice and mood. Favourite track: Melancholy Mood

32. Pat Garrett and Billy the Kid (1973)

Still love the film and, even if the bootleg version of this is way better, any album that suddenly kicks in on side two with Knockin' On Heaven's Door will always hold up. Favourite track: Knockin' On Heaven's Door

31. World Gone Wrong (1993)

The second of his successive solo acoustic albums of mostly American traditional folk songs. Dylan is in fine voice, the guitar softly killing, the end result ultimately a little lonely and sad. Favourite track: Two Soldiers

30. Good as I Been to You (1992)

The first of those solo acoustic albums, this is more upbeat and the delivery more telling, more Irish-influenced too, his Arthur McBride cut from the style of Paul Brady. Favourite track: Tomorrow Night

29. Bob Dylan (1962)

That first buy, which I duly borrowed back from my younger brother in April of 1995, when after hanging around the Point Depot for the afternoon and acting like one of the roadies before Dylan's gig, I found out where he was staying and showed up the following morning with this album to sign, which he did. Favourite track: Song to Woody

28. Under the Red Sky (1990)

I rediscovered this during the 2012 Olympics in London, freshly copied on to my iPod, the strangely touching nursery rhyme lyrics were the perfect nightly antidote during the busiest two weeks of my life. Favourite track: God Knows

27. The Basement Tapes (1975)

Probably the most bootlegged album in record history, thanks to The Band. Still worthy of being passed around, it's jaunty and still fun to play along with on my acoustic guitar. Favourite track: Crash on the Levee (Down in the Flood)

26. Together Through Life (2009)

Loved this at the time, even if now it sounds like it's coming from a particular time and place in Dylan's life, a tidy bluesy jam of a session with a wide range of musicians all around. Favourite track: Forgetful Heart

25. Saved (1980)

This I remember first buying on cassette in one of the old used record stores in Dublin and, even if warned off about Dylan's Christian period, I was startled by the lyrics being so precise and music that still sounds so tight. Favourite track: Pressing On

24. Self Portrait (1970)

What is this s**t? That infamous opening line from the Greil Marcus original review still makes me laugh, because this is a delight, a double-album of 24 songs in part intended to frustrate certain fans and secretly entertain most others. Favourite track: It Hurts Me Too

23. Slow Train Coming (1979)

The first of Dylan's so-called Christian trilogy, the devoutly evangelical lyrics are so sweetly delivered and musically wrapped up that the listening of it still draws me back every time. Favourite track: When He Returns

22. Street-Legal (1978)

A bit of Elvis in Vegas influence here. The sweeping production and delivery never cease to surprise. There are long rhythmic verses throughout and Dylan gives his all. Favourite track: Señor (Tales of Yankee Power)

21. Nashville Skyline (1969)

With the obvious exception of going electric, this marked the most surprising turning point in his recording career. His country-singing voice is all the more startling for its the sheer authenticity. Favourite track: I Threw It All Away

20. Shot of Love (1981)

The most underrated and best of his Christian trilogy. The bold and, at times, treacherous delivery of the lyrics alone always brings me back for more. Favourite track: In the Summertime

19. Tempest (2012)

At times, this still comes across as violently moody. Strangely enough, it's one of the few Dylan albums I enjoy listening to while running. Before he starts singing about the Titanic sinking that is. Favourite track: Long and Wasted Years

18. Modern Times (2006)

Smoothly produced and lyrically inspired and inspiring, there is also an economy about this album which is indefatigable. Like, where in the world Alicia Keys could be? Favourite track: Spirit on the Water

17. Planet Waves (1974)

His first venture on Asylum Records, and believe it or not Dylan's first album to reach number one on the US Billboard chart, this reuniting with The Band is by turns of the track touching or warm and then punchy or sad. Favourite track: Forever Young (the slow version)

16. New Morning (1970)

Still best played in the morning, naturally, this is Dylan the new father at his cheerful best, a great mix of tracks and treats that finishes with a suitably simple prayer. Favourite track: Time Passes Slowly

15. Another Side of Bob Dylan (1964)

His last all-acoustic album before he returned to the style some 30 years later, what a way to step out, all 11 songs reportedly recorded in the one evening, and without a protest line in sight. Favourite track: My Back Pages

14. John Wesley Harding (1967)

This still sounds timeless, even if it comes at a very specific time in his life – after his motorbike crash of 1966. The biblical influence is telling too, there was just no telling at the time it would unearth the ultimate Dylan cover, All Along the Watchtower. Favourite track: I Dreamed I Saw St Augustine

13. Empire Burlesque (1985)

Dylan at his most flamboyant and, at times, reckless 1980s prime. It has been produced to death perhaps, but something and everything about this album keeps me coming back for more. Favourite track: I'll Remember You

12. Oh Mercy (1989)

Thank you Daniel Lanois, who on Bono's advice approached Dylan with a view to producing this. Its surprise factor is not just that Dylan is still alive and indeed well, but that he has the audacity to leave a song such as Series of Dreams off the album. Favourite track: Most of the Time

11. The Freewheelin’ Bob Dylan (1963)

Still, impossibly, only 21 when he recorded it, the second studio album that suddenly found his protest voice and a lot more in between, and ultimately contributed him to winning the Nobel Prize. Favourite track: Girl from the North Country

10. Desire (1976)

From that first opening hum of Hurricane, co-written with playwright Jacques Levy, everything about this album is pure Dylan storytelling. The accompaniment of Scarlet Rivera on violin still blossoms with every listen. Favourite track: Hurricane

9. Rough and Rowdy Ways (2020)

Last June, driving over the Sally Gap towards Luggala, I first played this CD in reverse – that is, beginning with the end track, the 16-minute 56-second epic Murder Most Foul. I still adore its mighty turn of phrase. Favourite track: Key West (Philosopher Pirate)

8. Infidels (1983)

A sort of Second Coming all over again. The pleasant surprise that came with my first listen was doubled when I heard some of the songs played live, beginning with David Letterman from 1984. Oh yeah, and he left Blind Willie McTell behind too. Favourite track: Jokerman

7. Bringing It All Back Home (1965)

For years I had this only on cassette and would often play it on a continuous loop in my old Alfa Romeo Spider, and no matter how familiar it sounded, it never once got old. Favourite track: It's Alright, Ma (I'm Only Bleeding)

6. Love and Theft (2001)

Mik Pyro said to me recently that Dylan always gets the best drummers and the drumming on this album, courtesy of David Kemper, is superb. Released on 9/11, it's so emotionally charged too, it never once tires. Favourite track: Lonesome Day Blues

5. The Times They Are a-Changin’ (1964)

I had the poster on my bedroom wall in college even before I bought the cassette. The dark and deliberately bleak sound of the songs are still held up by their magnificent, powerful telling. Favourite track: Restless Farewell

4. Blood on the Tracks (1975)

The break-up album. The problem for me at the time of my first listen was that I hadn't yet gone through a particularly sad or turbulent break-up. Now, the pitch and tone make perfectly ragged sense. Favourite track: Idiot Wind

3. Highway 61 Revisited (1965)

The album I had in mind in the summer of 1997, when I spent a chunk of my savings on a 50th anniversary edition Fender Telecaster, because this is pure brilliant rock 'n' roll. He signs off on Desolation Row. Favourite track: Like a Rolling Stone

2. Blonde on Blonde (1966)

I think this is the only Dylan album I own on cassette, CD and vinyl. Nothing else comes close to that thin, wild mercury sound, or what Dylan himself said is "the closest I ever got to the sound I hear in my mind". Favourite track: Visions of Johanna

1. Time Out of Mind (1997)

The first Dylan album I bought on the day of its release in September 1997, cycling into Golden Discs on St Stephen's Green, then playing it on my Walkman on the way home. It sounded then like nothing could top the stripped-down honesty of the opening track, Love Sick, or the 10 more that followed. Still nothing has. Favourite track: Not Dark Yet

What is considered Bob Dylan's best album?

1. Blonde on Blonde (1966) This is Dylan's magnum opus: a sprawling double album of coruscating folk-rock utterly unlike anything else on record. More than a decade after its release, Dylan himself reflected: 'The closest I ever got to the sound I hear in my mind was … in the Blonde on Blonde album.

What Bob Dylan albums are worth listening to?

The Basement Tapes (1975).
Desire (1976) ... .
“Love and Theft” (2001) Runtime: 57:25, 12 tracks. ... .
Another Side of Bob Dylan (1964) Runtime: 50:37, 11 tracks. ... .
Nashville Skyline (1969) Runtime: 27:14, 10 tracks. ... .
Modern Times (2006) Advertisement. ... .
Oh Mercy (1989) Advertisement. ... .
John Wesley Harding (1967) Runtime: 38:24, 12 tracks. ... .

What is the number 1 greatest album of all time?

The Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band topped the list, with Rolling Stone's editors describing it as "the most important rock 'n' roll album ever made". The Beach Boys' Pet Sounds (1966) was ranked second in recognition of its influence on Sgt. Pepper.

What is Bob Dylan's favorite Bob Dylan album?

It's not like I sit around and listen to Bob Dylan stuff. I like Freewheelin', and I like my first album. Shot of Love is my favourite, actually.” Once again, in 1985, he stood by his assertion, telling Cameron Crowe, “People didn't listen to [Shot of Love] in a realistic way.

Nếu bạn đã ở xung quanh một đài phát thanh, bàn xoay, CD hoặc người chơi 8 bài hát hoạt động chức năng trong năm thập kỷ qua, bạn sẽ biết tác động của Bob Dylan, đối với âm nhạc là vô cùng lớn.

Trong suốt sự nghiệp của mình, nhạc sĩ đã làm kinh ngạc những người nghe với những người độc thân định nghĩa hàng thập kỷ (Thời báo họ là một người đàn ông, một người giống như một người phụ nữ), những album vượt thời gian và lời bài hát mạnh mẽ đáng chú ý.Để kỷ niệm phát hành album phòng thu thứ 35 của Dylan, Tempest, chúng tôi đã xem xét các album yêu thích của chúng tôi.

15. Ôi thương xót


Năm: 1989 Oh Mercy đã chứng kiến sự tái xuất hiện của Dylan như một người yêu trong số các nhà phê bình vào cuối những năm 80, mặc dù đó có thể không phải là trường hợp mà không có nhà sản xuất Daniel Lanois, nổi tiếng với công việc của ông trên cây Joshua U2.Các phiên không có lịch trình, không theo lịch trình, không có lịch trình dẫn đến một hồ sơ hấp dẫn về mặt âm thanh, vẫn đưa bài hát của Dylan, lên phía trước, và nó chỉ cần lắng nghe thế giới chính trị của Hồi giáo hay hầu hết thời gian để giới thiệu tác động của Lanois.
Oh Mercy saw the re-emergence of Dylan as a darling among critics in the late ‘80s, although that might not have been the case without producer Daniel Lanois, best known for his work on U2’s The Joshua Tree. Lanois’ schedule-free, unconventional sessions lead to a sonically intriguing record that still brings Dylan’s songwriting to the foreground, and it only takes a listen to “Political World” or “Most of the Time” to showcase Lanois’ impact on the legend.

14. Thời hiện đại


Năm: 2006 sau khi có hai album được đánh giá cao, tình yêu và trộm cắp và thời gian ra khỏi tâm trí, Dylan lại giao hàng với thời hiện đại.Sau khi bước lên với tư cách là nhà sản xuất dưới bút danh của Jack Jack Frost, Dylan một lần nữa dựa vào một bảng màu guitar slide blues và một tuyến sau có hương vị quốc gia.Dylan trở lại với những điều cơ bản cho album này, nhưng 10 bài hát hiện đại của don don từng cảm thấy như chúng có thể được gắn thẻ là chỉ cần ném.
Following on the heels of two critically acclaimed albums, Love and Theft and Time Out of Mind, Dylan delivered once again with Modern Times. After stepping up as producer under his preferred “Jack Frost” pseudonym, Dylan again relied on a palette of bluesy slide guitars and a country-flavored backline. Dylan gets back to the basics for this album, but Modern Times’ 10 tracks don’t ever feel like they could be tagged as just throwbacks.—Taylor Evans

13. Tình yêu và trộm cắp


Năm: Tình yêu và trộm cắp năm 2001 bắt đầu và kết thúc với kết thúc thế giới.Sau đó, Tweedle Dee & Tweedle Dum, kết thúc với một người đàn ông chết trong một bữa tiệc Mardi Gras, trong khi đó, Sugar Sugar Baby kết thúc với tiềm năng của cái chết từ một trái tim tan vỡ.Trong album thứ 31 của Dylan, được phát hành vào ngày 11 tháng 9 năm 2001, Dylan khám phá Death nhiều.Nhưng vẫn còn một cảm giác lạc quan, và bằng chứng là anh ấy vẫn mày mò với phong cách của mình sau ngần ấy năm.Tình yêu và trộm cắp là cả có thể dự đoán và hoàn toàn đáng ngạc nhiên.Nó có tất cả các nhân vật và phong cách giọng hát Dylan đặc trưng được mong đợi, nhưng các bài hát như là Honest Honest With Me, và tốc độ thay đổi hấp dẫn của Cry Cry A trong khi Dylan không chỉ còn nhiều cuộc sống trong anh ta vàâm nhạc của anh ấy, nhưng anh ấy vẫn đang phát hành một số âm nhạc hay nhất của anh ấy.
Love and Theft begins and ends with worlds ending. “Tweedle Dee & Tweedle Dum” concludes with a man dying in a Mardi Gras like party, while “Sugar Baby” ends with the potential of death from a broken heart. On Dylan’s 31st album, released on Sept. 11, 2001, Dylan explores death plenty. But there’s still a sense of optimism, and the proof is that he’s still tinkering around with his style after all these years. Love and Theft is both predictable and completely surprising. It features all the characters and signature Dylan vocal stylings that is to be expected, but songs like “Honest With Me” and the fascinating shifting pace of “Cry a While” show that not only does Dylan have a lot of life left in him and his music, but that he’s still releasing some of his best music.—Ross Bonaime

12. Nashville Skyline


Năm: 1969 Dylan đã bị gián đoạn kéo dài sau một vụ tai nạn xe máy gần chết vào năm 1966, và trong số đó đã đến với & nbsp; John Wesley Harding thoải mái.Ông đã theo dõi nó vào năm 1969 với Skyline ở Columbia, nơi chứng kiến Dylan lại êm dịu hơn nữa và thực hiện cách tiếp cận có mặt trong sáng tác của mình.Trên đường đua dẫn đầu đau lòng, cô gái đến từ miền Bắc, ông Johnny Johnny Cash kết hợp với Dylan cho một bản song ca kỳ lạ nhưng đẹp đẽ về một tình yêu đã mất.Người bị bỏ rơi, tôi đã ném tất cả đi tất cả, và người phụ nữ tuyệt vời, Lay Lay Lay Lay tiếp tục lấp đầy những cảm xúc của tình yêu, trong khi các bài hát như Hồi Peggy Day, và Country Pie Pie có một cách tiếp cận tinh thần và vô tư hơn đối với cuộc sống của đất nước.Bort
Dylan took a lengthy hiatus following a near-fatal motorcycle accident in 1966, and out of it came the whimsically laid-back John Wesley Harding. He followed it up in 1969 with Nashville Skyline, which saw Dylan mellowing out even further and taking his most countrified approach to songwriting. On the heartbreaking leadoff track, “Girl From The North Country,” Johnny Cash joins Dylan for a strange but beautifully pastoral duet about a lost love. The forlorn “I Threw It All Away” and sublime “Lay Lady Lay” continue to fill in love’s spectrum of emotions, while songs like “Peggy Day” and “Country Pie” take a more spirited and carefree approach to country living.—Ryan Bort

11. John Wesley Harding


Năm: 1967 Khi nhạc rock ảo giác đang tiếp quản văn hóa nhạc pop, Dylan phát hành John Welsey Harding.Album được đặt theo tên của một kẻ ngoài vòng pháp luật thế kỷ 19 đã giết chết một người đàn ông trong một trò chơi craps, và đó không phải là điều duy nhất khiến nó khác xa với Pop chính thống.Sau khi thay đổi âm thanh của mình thành Electric Rock trong ba album trước đây của mình, Dylan trở lại với nguồn gốc dân gian âm thanh của mình.Album này đã chứng minh rằng Dylan didn cần phải phù hợp với những gì phổ biến để tạo ra âm nhạc tuyệt vời.
When psychedelic rock was taking over pop culture, Dylan released John Welsey Harding. The album was named after a 19th-century outlaw that killed a man over a game of craps, and that wasn’t the only thing that made it a far cry from mainstream pop. After changing his sound to electric rock on his previous three albums, Dylan returned to his acoustic folk roots. This album proved that Dylan didn’t need to conform to what was popular to make great music.—Laura Flood

10. Mong muốn


Năm: 1976? Nó có lẽ là một trong những album hợp tác hơn của Dylan, nhưng điều đó không làm cho ham muốn trở nên ít tập trung hơn.Với Emmylou Harris và tay bass Rob Stoner xuất hiện trong album, chúng ta vẫn thấy Dylan cổ điển tỏa sáng trên những bài hát vượt thời gian như Drive Hurricane, và một tách cà phê.
?It’s perhaps one of Dylan’s more collaborative albums, but that doesn’t make Desire any less focused. With Emmylou Harris and bassist Rob Stoner making appearances on the album, we still see classic Dylan shining through on timeless tracks like the driving “Hurricane” and the slow-burning “One More Cup of Coffee.”—Taylor Evans

9. Một mặt khác của Bob Dylan


Năm: 1964 Nếu mang tất cả trở về nhà là cây cầu đến những kiệt tác điện Quốc lộ 61 được xem xét lại và tóc vàng trên tóc vàng, thì một mặt khác của Bob Dylan là bước đầu tiên quan trọng.Vẫn làm việc trong khuôn khổ dân gian với tư cách là một nghệ sĩ solo, Dylan từ bỏ chính trị cực kỳ nghiêm trọng của mình cho một số bài hát cá nhân, hài hước, thơ mộng và dễ bị đau lòng nhất trong danh mục của mình.Được ghi lại chỉ trong một đêm vào mùa hè năm 1964, một bên khác mang đến một ảnh chụp nhanh hiếm hoi về nghệ sĩ trẻ đang phát triển đang bắt đầu tìm thấy một giọng nói của riêng mình với sự rõ ràng ấn tượng.Điều này cho phép ca sĩ/nhạc sĩ rũ bỏ tính cách của anh ấy, bắt đầu lại và phát triển.Khi anh ấy đọc thuộc lòng, tôi đã già hơn rất nhiều/Tôi trẻ hơn bây giờ, ở trung tâm của tôi, các trang của tôi, không có album nào khác giới thiệu Dylan trong dự đoán trẻ trung như vậy cho cơn lốc của anh ấy.
If Bringing It All Back Home was the bridge to the electric masterpieces Highway 61 Revisited and Blonde On Blonde, then Another Side of Bob Dylan was the all-important first step. Still working within the folk framework as a solo performer, Dylan abandons his ultra-serious politics for some of the most personal, humorous, poetic and heartbreakingly vulnerable songs in his catalog. Recorded in just one night in the summer of 1964, Another Side offers a rare snapshot of the still-developing young artist beginning to find a voice of his own with impressive clarity. This allowed the singer/songwriter to shed his persona, start anew and evolve. As he recites “I was so much older then/I’m younger than that now” in centerpiece “My Back Pages,” no other album showcases Dylan in such youthful anticipation for his whirlwind prime.—Zachary Philyaw

8. Time Out of Mind


Year: 1997
After spending much of the 1980s struggling to clearly define a musical identity, Dylan returned to the studio with Time Out of Mind, and it was his triumphant return to form. The album went on to win three Grammy Awards, including Album of the Year in 1998. Coming in the subsequent years following Dylan’s well-documented creative crisis during which he questioned his ability to create songs worthy of releasing to the public, the album was a strong commercial success and helped solidify Dylan’s rightful place among the world’s best musicians.

7. The Times They Are A’Changin’


Year: 1964
The songs are as raw and emotional as the country was during the early ‘60s. The Times They Are A-Changin’ reflects the world in which it was written. There arrangements are not in a neat package and the lyrics are as honest as they are disturbing. Dylan’s album describes the true emotion of the ‘60s without sugar-coating events many would rather forget. Like most pieces of great art, The Times They Are A Changing is a very detailed, emotive snapshot of tough times.—Laura Flood

6. The Basement Tapes


Year: 1975
After Dylan’s infamous motorcycle accident in 1967, the singer went into seclusion in the Woodstock area of New York. The members of his recent touring band, The Hawks (later to become better known as The Band), joined him shortly thereafter, and the group of musicians began writing and recording the music that would eventually become The Basement Tapes. Bob Dylan & The Band recorded over 100 tracks during this time, and while most of them circulated for years on bootleg recordings, it wasn’t until 1975 that they were officially released. The album is notable for its sound, which was a distinct turn away from the type of songwriting Dylan had been exploring on Blonde on Blonde and Highway 61 Revisited. The music on The Basement Tapes is characterized by its roots or Americana feel—a stark contrast to the trends of rock music at the time. When everyone else was infusing rock music with psychedelia or using every nook and cranny of the recording studio to create complex production work, Dylan & The Band sent the music world for a loop by going down into the basement and embracing traditional American stylings. You can always count on Dylan to do the exact opposite of what is expected of him.—Wyndham Wyeth

Over the course of his five-decades-long career, the songwriter has wowed listeners with decade-defining singles (“The Times They Are A-Changin’,” “Just Like a Woman”), timeless albums and notably potent lyrics. In celebration of the release of Dylan’s 35th studio album, Tempest, we’re taking a look at our favorite albums. You can weigh in on your own favorites in the comment box below.

5. Bringing It All Back Home


Year: 1965
Filled with rollicking dream-like lyricism and electrified instrumentation, 1965’s Bringing It All Back Home is an album that sees Dylan letting his imagination run wild. Though songs like “Bob Dylan’s 115th Dream” and “Subterranean Homesick Blues” are filled with rapid-fire nonsense illustrating all of the distractions and influences inherent in modern society, the album’s last four songs—”Mr. Tambourine Man,” “Gates of Eden,” “It’s Alright Ma (I’m Only Bleeding)” and “It’s All Over Now, Baby Blue”—contain some of the most thoughtful, poetic and vividly imagined lyrics in Dylan’s entire catalog.—Ryan Bort

4. Blood on the Tracks


Year: 1975
With good reason, Bob Dylan is most revered for his nearly unparalleled streak of legendary albums in the 1960s (including 1963’s The Freewheelin’ Bob Dylan, 1965’s Highway 61 Revisited and 1966’s Blonde on Blonde), but he saved arguably his finest album ever until 1975, making one of rock ’n’ roll’s most jaw-dropping comebacks with the striking, emotional Blood on the Tracks. Despite being recorded in a ridiculous 10 days (barring a last-minute re-tracking of a few songs), the album remains Dylan’s warmest, richest recording—loads of purring organs, shuffling acoustics and soulful rhythm sections. But as always with Dylan albums, it’s the words that steal the show, particularly on the bitter epic “Idiot Wind” and the haunting, uplifting “Tangled Up in Blue.” Rock’s most critically acclaimed troubadour kept on releasing wonderful albums after Blood on the Tracks—but he never topped it.—Ryan Reed

3. Blonde on Blonde


After going electric and releasing two records full of raving existentialism and subversive societal commentary in Bringing It All Back Home and Highway 61 Revisited, Dylan took a broader, more tender approach to his 1966 double album Blonde on Blonde. Though still rife with surreal imagery, the album tackles more love-centric themes with songs such as “Visions of Johanna,” “I Want You” and “Absolutely Sweet Marie.” This was also Dylan’s first album recording with Robbie Robertson of The Band, and with John Wesley Harding and Nashville Skyline to follow, Blonde on Blonde would signal Dylan’s transition into more laid-back, country-inspired material.—Ryan Bort

2. The Freeheelin xông Bob Dylan


Năm: 1963 Album thứ hai của Bob Dylan, Freeheelin, ra mắt vào năm 1963 ngay khi bắt đầu sự nghiệp.Mặc dù anh ấy đã tiếp tục viết hàng ngàn bài hát tuyệt vời theo nghĩa đen, nhưng không có gì vượt qua sự chân thành và niềm đam mê mà nhạc sĩ 21 tuổi đã đổ vào mọi ca khúc trong bản thu âm.Với những bài hát như Hồi Blowin 'In The Wind, cô gái của người Hồi giáo đến từ miền Bắc, Hồi giáo Masters of War, và và Don't nghĩ hai lần, tất cả đều ổn, vẫn còn trong danh sách của Dylan gần nửa thế kỷ sau đó, Freeheelinlà một album có âm nhạc sẽ tồn tại lâu hơn tất cả những người đang đọc bài này.
Bob Dylan’s second album, Freewheelin’, came out in 1963 right at the beginning of his career. Even though he’s gone on to write literally thousands of great songs since then, nothing has ever surpassed the sincerity and passion the 21- year-old musician poured into every track on the record. With songs like “Blowin’ in the Wind,” “Girl From North Country,” “Masters of War,” and “Don’t Think Twice, It’s All Right” that are still in Dylan’s set list nearly half a century later, Freewheelin is an album whose music will outlive everyone who’s reading this.—Doug Heselgrave

1. Xa lộ 61 được xem xét lại


Năm: 1965 Quốc lộ 61, giống như con đường trải dài từ Dylan, bản địa ở bang Minnesota và theo Mississippi xuống New Orleans, từ đó nó lấy tên của nó, đại diện cho một hành trình âm nhạc nhất định.Trong khi Quốc lộ 61 là tuyến đường mà Delta Blues đã đi về phía bắc, Quốc lộ 61 là con đường Bob Dylan, đến tầng bình lưu.Nó có bước tiếp theo hợp lý sau khi đưa tất cả trở về nhà, mở rộng những âm thanh điện mà anh ấy chơi trong bản thu âm đó.Nhưng quan trọng hơn là, đó là Dylan ở dạng cao nhất, có lẽ là lần đầu tiên anh ấy thực sự kết hợp thành công chủ nghĩa trữ tình vô song của mình (xem các dòng thuốc nổ như Hồi thả một chiếc chuông, anh ấy chỉ lên bầu trời, nói rằng 'Mặt trời không phải là màu vàng, đó là gà'của Tombstone Blues Blues) với nhạc rock 'n' roll mà những đứa trẻ đang tham gia.Kết quả là một số chất liệu tốt nhất của ol 'Robert Zimmerman, bao gồm cả ca khúc chủ đề, Desolation Row, Hồi, nó phải cười rất nhiều. ”Vì vậy, thế nào là cảm giác của nó?Khá tốt chết tiệt.
Highway 61, much like the thoroughfare that stretches from Dylan’s native Minnesota and follows the Mississippi down to New Orleans from which it takes its name, represents a certain musical journey. While Highway 61 is the route the delta blues took to travel north, Highway 61 is Bob Dylan’s path to the stratosphere. It’s the logical next step after Bringing It All Back Home, expanding upon the electric sounds he played with on that record. But—more importantly—it’s Dylan in top form, perhaps the first time he truly successfully paired his unparalleled lyricism (see dynamite lines like “dropping a barbell, he points to the sky, saying ‘the sun’s not yellow, it’s chicken’” off of “Tombstone Blues”) with that rock ‘n’ roll music the kids were getting into. The result is some of ol’ Robert Zimmerman’s finest material, including the title track, “Desolation Row,” “It Takes A Lot To Laugh, It Takes A Train to Cry,” and of course, his masterpiece, “Like A Rolling Stone.” So, “how does it feel”? Pretty damn good.—Bonnie Stiernberg

Album Bob Dylan đáng nghe nào?

Các băng tầng hầm (1975).
Mong muốn (1976) ....
Tình yêu và hành vi trộm cắp (2001) Thời gian chạy: 57:25, 12 bài hát.....
Một mặt khác của Bob Dylan (1964) Thời gian chạy: 50:37, 11 bài hát.....
Nashville Skyline (1969) Thời gian chạy: 27:14, 10 bài hát.....
Thời đại hiện đại (2006) Quảng cáo.....
Oh Mercy (1989) Quảng cáo.....
John Wesley Harding (1967) Thời gian chạy: 38:24, 12 bài hát.....

Album bán chạy nhất của Bob Dylan là gì?

Album phòng thu bán chạy nhất của anh ấy là 'Blood on the Track'.Nó đã bán được ít nhất 2,4 triệu bản trên toàn thế giới.Blood on The Tracks'. It has sold at least 2.4 million copies worldwide.

5 album hàng đầu của bạn mọi thời đại là gì?

Dưới đây là 10 album tuyệt vời nhất mọi thời đại, theo Rolling Stone:..
Marvin Gaye, 'Chuyện gì đang xảy ra'.
Các chàng trai bãi biển, 'âm thanh thú cưng' ....
Joni Mitchell, 'Blue' ....
Stevie Wonder, 'Bài hát trong Key of Life' ....
The Beatles, 'Abbey Road' ....
Nirvana, 'Nevermind' ....
Fleetwood Mac, 'Tin đồn' ....
Hoàng tử và Cách mạng, 'Mưa tím' ....

Album lớn nhất số 1 của mọi thời đại là gì?

Album của The Beatles năm 1967, Sgt.Pepper's Lonely Hearts Club Band đứng đầu danh sách, với các biên tập viên của Rolling Stone mô tả nó là "album rock 'n' quan trọng nhất từng được thực hiện".Âm thanh thú cưng của Beach Boys (1966) được xếp thứ hai về sự công nhận ảnh hưởng của nó đối với SGT.Tiêu.Sgt. Pepper's Lonely Hearts Club Band topped the list, with Rolling Stone's editors describing it as "the most important rock 'n' roll album ever made". The Beach Boys' Pet Sounds (1966) was ranked second in recognition of its influence on Sgt. Pepper.